| Date
| Sponsor
| Title
| Released
| Director
| Country
| TRT
| Format
| Ratio
| Bechdel test
|
|---|
| 12/12/2021
| JW
| Beast
| 2017
| Michael Pearce
| UK
| 106
| digital
| 2.39: 1
| No
|
| 12/12/2021
| JW
| The Swimmer
| 1968
| Frank Perry
| USA
| 95
| 35mm
| 1.85: 1
| No
|
| 12/05/2021
| JH
| Salesman
| 1969
| David Maysles, Albert Maysles, Charlotte Zwerin
| USA
| 91
| 16mm
| 4:3
| No
|
| 12/05/2021
| JH
| Total Recall
| 1990
| Paul Verhoeven
| USA
| 113
| 35mm
| 1.85:1
| No
|
| 11/28/2021
| TS
| Uncut Gems
| 2019
| Benny Safdie & Josh Safdie
| USA
| 135
| Arri Alexa Mini, Arricam LT & ST
| 2.39:1
| No
|
| 11/28/2021
| TS
| Hurt Locker
| 2008
| Kathryn Bigelow
| USA
| 131
| Aaton A-Minima, Aaton XTR Prod
| 1.85:1
| No
|
| 11/22/2021
| SC
| Enter the Dragon
| 1973
| Robert Clouse
| USA / Hong Kong
| 102
| 35mm
| 2.39: 1
| No
|
| 11/22/2021
| SC
| Kentucky Fried Movie
| 1977
| John Landis
| USA
| 83
| 35mm / video
| 1.85: 1
| No
|
| 11/14/2021
| JB
| La Regle du jeu (Rules of the Game))
| 1939
| Jean Renoir
| France
| 110
| 35mm, B&W
| 4:3 Academy
| No
|
| 11/14/2021
| JB
| The Life and Death of Colonel Blimp
| 1943
| Michael Powell & Emeric Pressburger
| UK
| 163
| 35mm
| 4:3 Academy
| No
|
| 11/07/2021
| CY
| Real Life
| 1979
| Albert Brooks
| USA
| 99
| 35mm
| 1.85:1
| No
|
| 11/07/2021
| CY
| Beasts of No Nation
| 2015
| Cary Joji Fukunaga
| USA
| 137
| 35mm
| 2.39:1
| No
|
| 10/31/2021
| JW
| Before Midnight
| 2013
| Richard Linklater
| USA
| 109
| Arri (Alexa)
| 1.85: 1
| No
|
| 10/31/2021
| JW
| Thelma
| 2017
| Joachim Trier
| Norway
| 116
| Arri (Alexa)
| 2.35: 1
| No
|
| 10/24/2021
| JH
| Margaret
| 2011
| Kenneth Lonergan
| USA
| 186
| 35mm
| 1.85:1
| No
|
| 10/24/2021
| JH
| The Haunting
| 1963
| Robert Wise
| USA
| 112
| 35mm, B&W
| 2.39:1
| No
|
| 10/17/2021
| TS
| Le pacte des loups (Brotherhood of the Wolf)
| 2001
| Christophe Gans
| France
| 142
| 35mm
| 2.39:1
| No
|
| 10/17/2021
| TS
| Sorry to Bother You
| 2018
| Boots Riley
| USA
| 112
| Digi (Arri)
| 2.39:1
| No
|
| 10/10/2021
| SC
| Zardoz
| 1974
| John Boorman
| USA
| 105
| 35mm
| 2.39: 1
| No
|
| 10/10/2021
| SC
| The Hidden
| 1987
| Jack Sholder
| USA
| 97
| 35mm
| 1.85: 1
| No
|
| 10/05/2021
| JB
| 황해 (Hwanghae, The Yellow Sea)
| 2010
| Na Hong-jin
| South Korea
| 136
| 35mm
| 2.35:1
| No
|
| 10/05/2021
| JB
| Der Fangschuß (Le Coup de grâce))
| 1976
| Volker Schlöndorff
| West Germany
| 97
| 35mm
| 1.66:1
| No
|
| 09/27/2021
| CY
| Point Blank
| 1967
| John Boorman
| USA
| 92
| 35mm
| 2.39:1
| No
|
| 09/27/2021
| CY
| Paris Texas
and Dean Lent interview
| 1984
| Wim Wenders
| USA
| 145
| 35mm
| 1.85:1
| No
|
| 09/19/2021
| JW
| Before Sunset
| 2005
| Richard Linklater
| USA
| 80
| 35mm
| 1.85: 1
| No
|
| 09/19/2021
| JW
| Narc
| 2002
| Joe Carnahan
| USA
| 105
| 35mm
| 1.85: 1
| No
|
| 09/12/2021
| JH
| Crawl
| 2019
| Alexandre Aja
| USA
| 87
| Digital (Arri)
| 2.39:1
| No
|
| 09/12/2021
| JH
| Sing Street
| 2016
| John Carney
| Ireland
| 106
| Digital (RED)
| 2.39:1
| No
|
| 09/05/2021
| TS
| Manhunter
| 1986
| Michael Mann
| USA
| 120
| Super-35mm
| 2.39:1
| No
|
| 09/05/2021
| TS
| The Wild Bunch
| 1969
| Sam Peckingpah
| USA
| 145
| 35mm
| 2.39:1
| No
|
| 08/29/2021
| SC
| Blue Collar
| 1978
| Paul Schrader
| USA
| 114
| 35mm
| 1.85: 1
| No
|
| 08/29/2021
| SC
| In the Bedroom
| 2001
| Todd Field
| USA
| 131
| 35mm
| 2.39: 1
| No
|
| 08/22/2021
| JB
| La Patagonia rebelde (Rebellion in Patagonia)
| 1974
| Héctor Olivera
| Argentina
| 110
| 35mm
| 4: 3 Academy
| No
|
| 08/22/2021
| JB
| Odd Man Out
| 1947
| Carol Reed
| UK
| 116
| 35mm
| 4: 3 Academy
| No
|
| 08/15/2021
| CY
| Barry Lyndon
| 1975
| Stanley Kubrick
| USA/UK
| 185
| 35mm
| 1.66:1
| No
|
| 08/15/2021
| CY
| La Jetée
| 1962
| Chris Marker
| France
| 28
| 35mm
| 1.66:1
| No
|
| 08/08/2021
| JW
| Before Sunrise
| 1995
| Richard Linklater
| USA
| 101
| 35mm
| 1.85: 1
| No
|
| 08/08/2021
| JW
| Funny Games
| 1997
| Michael Haneke
| Austria
| 109
| 35mm
| 1.85: 1
| No
|
| 08/01/2021
| JH
| La maman et la putain (The Mother and the Whore)
| 1973
| Jean Eustache
| France
| 210
| 16mm
| 1.37:1 Academy
| No
|
| 08/01/2021
| JH
| World of Tomorrow
| 2015
| Don Hertzfeldt
| USA
| 17
| Digital
| 1.37:1
| Yes
|
| 07/25/2021
| TS
| Der Baader Meinhof Komplex (The Baader Meinhof Complex)
| 2008
| Uli Edel
| Germany
| 184
| 35mm
| 1.85:1
| Yes
|
| 07/25/2021
| TS
| In & Of Itself
| 2020
| Frank Oz
| USA
| 90
|
| 1.85:1
| No
|
| 07/18/2021
| SC
| Mulholland Drive part 1 part 2
| 2001
| David Lynch
| USA
| 147
| 35mm
| 1.85:1
| Yes
|
| 07/11/2021
| JB
| Der lachende Mann – Bekenntnisse eines Mörders (The Laughing Man – Portrait of a Murderer)
| 1966
| Walter Heynowski and Gerhard Scheumann
| German Democratic Republic
| 66
| 16mm, B&W
| 1.37: 1 Academy
| No
|
| 07/11/2021
| JB
| הדירה (The Flat)
| 2011
| Arnon Goldfinger
| Israel
| 97
| digital
| 1.77: 1 Academy
| No
|
| 06/05/2021
| CY
| Irma Vep
| 1996
| Olivier Assayas
| France
| 97
| 35mm
| 1.66:1
| No
|
| 06/05/2021
| CY
| Playtime
| 1967
| Jacques Tati
| France
| 127
| 65mm
| 2.20:1 Todd-AO
| No
|
| 06/27/2021
| JW
| Henry Fool
| 1997
| Hal Hartley
| USA
| 137
| 35mm
| 1.66: 1
| No
|
| 06/27/2021
| JW
| Pumpkin
| 2002
| Anthony Abrams,
Adam Larson Broder
| USA
| 113
| 35mm
| 1.85: 1
| No
|
| 06/20/2021
| JH
| Grizzly II: Revenge
| 2020
| André Szöts
| USA
| 74
| 35mm
| 1.78:1
| No
|
| 06/20/2021
| JH
| Warlock
| 1989
| Steve Miner
| USA
| 103
| 35mm
| 1.85:1
| No
|
| 06/13/2021
| TS
| Indagine su un cittadino al di sopra di ogni sospetto (Investigation of a Citizen Above Suspicion)
| 1970
| Elio Petri
| Italy
| 115
| 35mm
| 1.85:1
| No
|
| 06/13/2021
| TS
| El Agent Topo (The Mole Agent)
| 2020
| Maite Alberdi
| Chile
| 84
| DCP
| 1.85:1
| No
|
| 06/06/2021
| SC
| Alfie
| 1966
| Lewis Gilbert
| UK
| 114
| 35mm
| 2.35:1
| No
|
| 06/06/2021
| SC
| The Terminal Man
| 1974
| Mike Hodges
| USA
| 107
| 35mm
| 1.85:1
| No
|
| 05/30/2021
| JB
| The Bad and the Beautiful
| 1952
| Vincente Minnelli
| USA
| 118
| 35mm
| Academy
| No
|
| 05/30/2021
| JB
| All About Eve
| 1950
| Joseph L Mankiewicz
| USA
| 138
| 35mm
| Academy
| No
|
| 05/23/2021
| CY
| Oxygène (Oxygen)
| 2021
| Alexandre Aja
| France
| 100
| ARRI (digital)
| 2.39:1
| No
|
| 05/23/2021
| CY
| Blow Out
| 1981
| Brian De Palma
| USA
| 108
| 35mm
| 2.39:1
| No
|
| 05/16/2021
| JW
| A Ghost Story
| 2017
| David Lowery
| USA
| 92
| Digital Arri
| 4:3 Academy
| No
|
| 05/16/2021
| JW
| Fish Tank
| 2003
| Andrea Arnold
| UK
| 123
| 35mm
| 4:3 Academy
| No
|
| 05/09/2021
| JH
| The Big Sleep
| 1946
| Howard Hawks
| USA
| 114
| 35mm
| 1.37:1
| No
|
| 05/09/2021
| JH
| J.T.
| 1969
| Robert M Young
| USA
| 60
| 35mm
| 1.33:1
| No
|
| 05/02/2021
| TS
| Vier gegen die Bank (Four Against the Bank)
| 2007
| Wolfgang Petersen
| Germany
| 96
| ARRIRAW
| 2.39:1
| No
|
| 05/02/2021
| TS
| Stander
| 2003
| Bronwen Hughes
| South Africa
| 111
| 35mm
| 1.85:1
| No
|
| 04/25/2021
| SC
| Inherent Vice
| 2014
| Paul Thomas Anderson
| USA
| 150
| 35mm
| 1.85:1
| No
|
| 04/25/2021
| SC
| La piel que habito (The Skin I Live In)
| 2011
| Pedro Almodóvar
| Spain
| 120
| 35mm
| 1.85:1
| No
|
| 04/18/2021
| JB
| Alphaville
| 1965
| Jean-Luc Godard
| France
| 99
| 35mm
| Academy
| No
|
| 04/18/2021
| JB
| Begotten
| 1989
| E Elias Merhige
| USA
| 72
| Super-16
| Academy
| No
|
| 04/11/2021
| CY
| Le Charme discret de la bourgeoisie (The Discreet Charm of the Bourgeoisie)
| 1972
| Luis Buñuel
| France
| 102
| 35mm
| 1.66:1
| No
|
| 04/11/2021
| CY
| Mikey and Nicky
| 1976
| Elaine May
| USA
| 106
| 35mm
| 1.85:1
| No
|
| 04/04/2021
| JW
| Los Cronocrímenes (Timecrimes)
| 2007
| Nacho Vigalondo
| Spain
| 92
| Arriflex 16 SR3
| 1.85:1
| No
|
| 04/04/2021
| JW
| I Don't Feel At Home in This World Anymore
| 2017
| Macon Blair
| USA
| 93
| Digital (Arri)
| 2.39:1
| No
|
| 03/28/2021
| JH
| Happy-Go-Lucky
| 2008
| Mike Leigh
| UK
| 118
| 35mm
| 2.39:1
| No
|
| 03/28/2021
| JH
| One From the Heart
| 1981
| Francis Ford Coppola
| USA
| 107
| 35mm
| 4:3 Academy
| No
|
| 03/21/2021
| TS
| Сталкер (Stalker)
| 1979
| Andrei Tarkovsky
| USSR
| 162
| 35mm
| 4:3 Academy
| No
|
| 03/21/2021
| TS
| My Kid Could Paint That
| 2007
| Amir Bar-Lev
| USA
| 82
| HDTV
| 1.85:1
| No
|
| 03/14/2021
| SC
| It Follows
| 2014
| David Robert Mitchell
| USA
| 100
| Digital (RED)
| 2.39:1
| No
|
| 03/14/2021
| SC
| Brute Force
| 1947
| Jules Dassin
| USA
| 98
| 35mm (B&W)
| 4:3 Academy
| No
|
| 03/07/2021
| JB
| Hannah Arendt
| 2012
| Margarethe von Trotta
| Germany
| 113
| Red Epic
|
| No
|
| 03/07/2021
| JB
| Anonyma - Eine Frau in Berlin (A Woman in Berlin)
| 2008
| Max Färberböck
| Germany
| 131
| 35mm
| 2.35:1
| No
|
| 02/28/2021
| CY
| Eisenstein in Guanajuato
| 2015
| Peter Greenaway
| USA
| 105
|
| 2.35:1
| No
|
| 02/28/2021
| CY
| Броненосец Потёмкин (Battleship Potemkin)
| 1925
| Sergei Eisenstein
| USSR
| 75
| 35mm (B&W)
| 4:3 Academy
| No
|
| 02/21/2021
| JW
| Compliance
| 2012
| Craig Zobel
| USA
| 90
| Arriflex D-21, Cooke S4 Lenses
| 2.35:1
| No
|
| 02/21/2021
| JW
| 버닝 (Burning)
| 2018
| Lee Chang-dong
| Korea
| 148
| ARRIRAW (3.4k)
| 2.35:1
| No
|
| 02/14/2021
| JH
| Targets
| 1968
| Peter Bogdanovich
| USA
| 90
| 35mm
| 1.85:1
| No
|
| 02/14/2021
| JH
| The Last Picture Show
| 1971
| Peter Bogdanovich
| USA
| 118
| 35mm
| 1.85:1
| No
|
| 02/07/2021
| TS
| 英雄 (Hero)
| 2002
| Yimou Zhang
| China
| 120
| 35mm
| 2.35: 1
| No
|
| 02/07/2021
| TS
| Fighting in the Age of Loneliness
| 2018
| Jon Bois and Felix Biederman
| USA
| 117
|
|
| No
|
| 01/31/2021
| SC
| Sound of Metal
| 2019
| Darius Marder
| USA
| 120
| 35mm
| 2.39:1
| No
|
| 01/31/2021
| SC
| Elle
| 2016
| Paul Verhoeven
| France
| 130
| Digital (RED)
| 2.39:1
| No
|
| 01/24/2021
| JB
| Иди и смотри (Come and See)
| 1985
| Elem Klimov
| USSR
| 142
| 35mm
| 4:3 Academy
| No
|
| 01/24/2021
| JB
| W.R. – Misterije organizma (WR: Mysteries of the Organism)
| 1971
| Dušan Makavejev
| Yugoslavia
| 84
| 35mm
| 4:3 Academy
| No
|
| 01/17/2021
| CY
| Druk (Another Round)
| 2020
| Thomas Vinterberg
| Denmark/Sweden/Netherlands
| 117
| Digital
| 2:1
| No
|
| 01/17/2021
| CY
| Miami Blues
| 1990
| George Armitage
| USA
| 97
| 35mm
| 1.85:1
| No
|
| 01/10/2021
| JW
| Un prophète (A Prophet)
| 2009
| Jacques Audiard
| France/Italy
| 155
| 35mm
| 1.85:1
| No
|
| 01/10/2021
| JW
| 박쥐 (Thirst)
| 2009
| Chan-wook Park
| Korea
| 134
| 35mm
| 2.39:1
| No
|
| 01/03/2021
| JH
| Force Majeure
| 2014
| Ruben Östlund
| Sweden
| 120
| Digital (Arri)
| 2.39:1
| No
|
| 01/03/2021
| JH
| 美女と液体人間 (The H-Man)
| 1958
| Ishirō Honda
| Japan
| 79
| 35mm
| 2.39:1
| No
|
