| Date
| Sponsor
| Title
| Released
| Director
| Country
| TRT
| Format
| Ratio
| Bechdel test
|
|---|
| 11/28/2022
| TS
| 天国と地獄 (Tengoku to Jigoku, High and Low)
| 1963
| Akira Kurosawa
| Japan
| 143
| 35mm (B&W)
| 2.39:1
| No
|
| 11/28/2022
| TS
| Time Bandits
| 1981
| Terry Gilliam
| USA
| 110
| 35mm
| 1.85:1
| No
|
| 11/21/2022
| SC
| Valkyrie
| 2008
| Bryan Singer
| USA
| 121
| Super35
| 1.85:1
| No
|
| 11/21/2022
| SC
| Repo Man
| 1984
| Alex Cox
| USA
| 92
| 35mm
| 1.85:1
| No
|
| 11/14/2022
| JB
| La battaglia di Algeri (Battle of Algiers)
| 1966
| Gillo Pontecorvo
| Italy, Algeria
| 121
| 35mm, B&W
| 1.85:1
| No
|
| 11/14/2022
| JB
| Z
| 1969
| Costa-Gavras
| France, Algeria
| 127
| 35mm
| 1.66:1
| No
|
| 11/06/2022
| CY
| Resolution
| 2012
| Justin Benson and Aaron Moorehead
| USA
| 93
| Digital (RED)
| 2.39:1
| No
|
| 11/06/2022
| CY
| Richard III
| 1995
| Richard Loncraine
| UK
| 110
| Super35
| 2.39:1
| No
|
| 10/30/2022
| JW
| Ida
| 2013
| Pawel Pawlikowski
| Poland
| 82
| Arri
| 1.37:1
| No
|
| 10/30/2022
| JW
| Le Scaphandre et le Papillon (The Diving Bell and the Butterfly)
| 2007
| Julian Schnabel
| France
| 112
| 35mm
| 1.85:1
| No
|
| 10/23/2022
| JH
| Near Dark
| 1987
| Kathryn Bigelow
| USA
| 94
| 35mm
| 1.85:1
| No
|
| 10/23/2022
| JH
| A Girl Walks Home Alone at Night
| 2014
| Ana Lily Amirpour
| USA
| 101
| 35mm
| 2.35:1
| No
|
| 10/09/2022
| TS
| Arachnophobia
| 1990
| Frank Marshall
| USA
| 109
| 35mm
| 1.85:1
| No
|
| 10/09/2022
| TS
| The Stepfather
| 1987
| Joseph Ruben
| USA
| 89
| 35mm
| 1.85:1
| No
|
| 10/05/2022
| TS
| Road House
| 1989
| Rowdy Herrington
| USA
| 114
| 35mm
| 2.35:1
| No
|
| 10/16/2022
| SC
| 부산행 (Train to Busan)
| 2016
| Sang-ho Yeon
| South Korea
| 118
| Digital
| 1.85:1
| No
|
| 10/16/2022
| SC
| Saint Maud
| 2019
| Rose Glass
| UK
| 84
| Digital
| 2.39:1
| No
|
| 10/02/2022
| JB
| Lebenzeichen (Signs of Life)
| 1968
| Werner Herzog
| West Germany
| 91
| 35mm, B&W
| 4:3 Academy
| No
|
| 10/02/2022
| JB
| Pasqualino Settebellezze (Seven Beauties)
| 1975
| Lina Wertmüller
| Italy
| 116
| 35mm
| 1.66:1
| No
|
| 09/25/2022
| CY
| Thief
| 1981
| Michael Mann
| US
| 123
| 35mm
| 1.85:1
| No
|
| 09/25/2022
| CY
| The Conversation
| 1974
| Francis Ford Coppola
| US
| 123
| 35mm
| 1.85:1
| No
|
| 09/18/2022
| JW
| 墮落天使 (Fallen Angels)
| 1995
| Wong Kar-Wei
| Hong Kong
| 99
| 35mm
| 1.85:1
| No
|
| 09/18/2022
| JW
| Cold in July
| 2014
| Jim Mickle
| US
| 108
| Digital
| 2.39:1
| No
|
| 09/12/2022
| JH
| Strangers on a Train
| 1951
| Alfred Hitchcock
| US
| 101
| 35mm
| 4:3 Academy
| No
|
| 09/12/2022
| JH
| 重庆森林 (Chungking Express)
| 1951
| Wong Kar-Wei
| Hong Kong
| 102
| 35mm
| 1.66:1
| No
|
| 09/05/2022
| TS
| Ghost Dog: The Way of the Samurai
| 1999
| Jim Jarmusch
| US
| 116
| 35mm
| 1.85:1
| No
|
| 09/05/2022
| TS
| Le Samouraï
| 1967
| Jean-Pierre Melville
| France
| 105
| 35mm
| 1.85:1
| No
|
| 08/29/2022
| SC
| Tusk
| 2014
| Kevin Smith
| USA
| 102
| Digital
| 2.39:1
| No
|
| 08/29/2022
| SC
| The Man Who Wasn't There
| 2001
| Ethan Coen,
Joel Coen
| USA
| 116
| 35mm
| 1.85:1
| No
|
| 08/22/2022
| JB
| Europa Europa
| 1990
| Agnieszka Holland
| France, Germany
| 112
| 35mm
| 1.66:1
| No
|
| 08/22/2022
| JB
| Europa (Zentropa)
| 1991
| Lars von Trier
| Denmark, Germany, France, Sweden
| 112
| 35mm
| 2.35:1
| No
|
| 08/15/2022
| CY
| The Last Detail
| 1973
| Hal Ashby
| US
| 104
| 35mm
| 1.85:1
| No
|
| 08/15/2022
| CY
| Night Moves
| 1975
| Arthur Penn
| US
| 100
| 35mm
| 1.85:1
| No
|
| 08/07/2022
| JW
| Assassination Nation
| 2018
| Sam Levinson
| US
| 108
| Digital
| 2.39:1
| No
|
| 08/07/2022
| JW
| Thoroughbreds
| 2018
| Cory Finley
| US
| 92
| Digital
| 2.39:1
| No
|
| 07/31/2022
| JH
| Спутник (Sputnik)
| 2020
| Egor Abramenko
| Russia
| 113
| Digital
| 2.35:1
| No
|
| 07/31/2022
| JH
| My Winnepeg
| 2007
| Guy Maddin
| Canada
| 80
| 16mm B&W
| 1.33:1
| No
|
| 07/24/2022
| TS
| Spring Breakers
| 2012
| Harmony Korine
| USA
| 94
| 35mm, Video
| 2.35:1
| No
|
| 07/24/2022
| TS
| First Man
| 2018
| Damian Chazelle
| USA
| 94
| 16mm, 35mm, 85mm
| various
| No
|
| 07/11/2022
| TS
| 吸血鬼ハンターD ブラッドラスト (Banpaia Hantā Dī: Buraddorasuto, Vampire Hunter D: Bloodlust)
| 2000
| Jack Fletcher, Yoshiaki Kawajiri
| Japan, USA
| 103
| 35mm
| 1.85:1
| No
|
| 07/11/2022
| SC
| O Lucky Man!
| 1973
| Lindsay Anderson
| UK
| 178
| 35mm
| 1.85:1
| No
|
| 07/11/2022
| SC
| Apollo 11
| 2019
| Todd Douglas Miller
| USA
| 93
| 70mm
| 2.20:1
| No
|
| 07/05/2022
| JB
| Into the Night
| 1985
| John Landis
| USA
| 115
| 35mm
| 1.85:1
| No
|
| 07/05/2022
| JB
| After Hours
| 1985
| Martin Scorsese
| USA
| 97
| 35mm
| 1.85:1
| No
|
| 06/26/2022
| CY
| Get Carter
| 1971
| Mike Hodges
| UK
| 131
| 35mm
| 1.85:1
| No
|
| 06/26/2022
| CY
| Killing Them Softly
| 2012
| Andrew Dominik
| UK
| 97
| 35mm
| 2.39:1
| No
|
| 06/19/2022
| JW
| Relatos salvajes (Wild Tales)
| 2014
| Damián Szifron
| Argentina / Spain
| 112
| Digital (Arri)
| 2.35:1
| No
|
| 06/12/2022
| JH
| A.I. Artifical Intelligence
| 2001
| Steven Spielberg
| USA
| 146
| 35mm
| 1.85:1
| No
|
| 06/12/2022
| JH
| Where the Wild Things Are
| 2009
| Spike Jonze
| USA
| 101
| 35mm
| 2.39:1
| No
|
| 06/05/2022
| TS
| Something Wild
| 1986
| Jonathan Demme
| USA
| 114
| 35mm
| 1.85:1
| No
|
| 06/05/2022
| TS
| Cop Land
| 1997
| James Mangold
| USA
| 116
| 35mm
| 1.85:1
| No
|
| 05/30/2022
| SC
| Seconds
| 1966
| John Frankenheimer
| USA
| 107
| 35mm, B&W
| 1.85:1
| No
|
| 05/30/2022
| SC
| A History of Violence
| 2005
| David Cronenberg
| Canada/USA/Germany
| 96
| 35mm
| 1.85:1
| No
|
| 05/24/2022
| JB
| Ostře sledované vlaky (Closely Watched Trains)
| 1966
| Jiří Menzel
| Czechoslovakia
| 92
| 35mm
| 1.66:1
| No
|
| 05/24/2022
| JB
| Spalovač mrtvol (The Cremator)
| 1969
| Juraj Herz
| Czechoslovakia
| 95
| 35mm
| 1.66:1
| No
|
| 05/16/2022
| CY
| ハウス (House)
| 1977
| Nobuhiku Ôbayashi
| Japan
| 88
| 35mm
| 1.37:1
| No
|
| 05/16/2022
| CY
| Benedetta
| 2021
| Paul Verhoeven
| France/Netherlands
| 131
| Arri Alexa Mini
| 2.39:1
| No
|
| 05/08/2022
| JW
| Amour
| 2012
| Michael Haneke
| France
| 127
| Arri Alexa
| 1.85:1
| No
|
| 05/08/2022
| JW
| Le Week-end
| 2013
| Roger Michel
| France/UK
| 93
| Arri Alexa
| 2.35:1
| No
|
| 05/01/2022
| JH
| Auto Focus
| 2002
| Paul Schrader
| USA
| 105
| 35mm
| 1.85:1
| No
|
| 05/01/2022
| JH
| Struggle: The Life and Lost Art of Szukalski
| 2018
| Ireneusz Dobrowolski
| USA
| 115
|
| 1.85:1
| No
|
| 04/24/2022
| TS
| Any Given Sunday
| 1999
| Oliver Stone
| USA
| 162
| 35mm
| 2.39:1
| No
|
| 04/24/2022
| TS
| Titan A. E.
| 2000
| Don Bluth and Gary Goldman
| USA
| 94
| 35mm
| 2.39:1
| No
|
| 04/18/2022
| SC
| Scarecrow
| 1973
| Jerry Schatzberg
| USA
| 112
| 35mm
| 2.35:1
| No
|
| 04/18/2022
| SC
| We Need to Talk About Kevin
| 2011
| Lynne Ramsay
| USA
| 112
| 35mm
| 2.35:1
| No
|
| 04/10/2022
| JB
| Hangmen Also Die!
| 1943
| Fritz Lang
| USA
| 134
| 35mm
| 4:3
| No
|
| 04/10/2022
| JB
| 37°2 le matin (Betty Blue)
| 1986
| Jean-Jacques Beineix
| France
| 185
| 35mm
| 1.66:1
| No
|
| 04/04/2022
| CY
| Network
| 1976
| Sidney Lumet
| USA
| 121
| 35mm
| 1.85:1
| No
|
| 04/04/2022
| CY
| Pusher
| 1996
| Nicholas Winding Refn
| USA
| 110
| Super 16mm
| 1.65:1
| No
|
| 03/20/2022
| JW
| 악마를 보았다 (I Saw the Devil)
| 2010
| Joe-woon Kim
| South Korea
| 144
| 35mm
| 1.85:1
| No
|
| 03/20/2022
| JW
| Waves
| 2019
| Trey Edward Shults
| USA
| 135
| Digital (ARRI)
| various
| No
|
| 03/13/2022
| JH
| That's Life!
| 1986
| Blake Edwards
| USA
| 102
| 35mm
| 2.39:1
| No
|
| 03/13/2022
| JH
| ドライブ・マイ・カー (doraibu mai kâ, Drive My Car)
| 2021
| Ryūsuke Hamaguchi
| Japan
| 179
| Digital
| 1.85:1
| No
|
| 03/07/2022
| TS
| Conspiracy
| 2001
| Frank Pierson
| USA
| 96
| 16mm
| 1.78:1
| No
|
| 03/07/2022
| TS
| Anthropoid
| 2016
| Sean Ellis
| Czech / USA / UK / France
| 120
| 16mm
| 2.39:1
| No
|
| 02/27/2022
| SC
| Josie and the Pussycats
| 2001
| Harry Elfont and Deborah Kaplan
| USA, Canada
| 98
| 35mm
| 1.85:1
| No
|
| 02/27/2022
| SC
| Beyond the Valley of the Dolls
| 1970
| Russ Meyer
| USA
| 104
| 35mm
| 2.35:1
| No
|
| 02/20/2022
| JB
| My Man Godfrey
| 1936
| Gregory La Cava
| USA
| 94
| 35mm
| 4:3
| No
|
| 02/20/2022
| JB
| Les parapluies de Cherbourg (The Umbrellas of Cherbourg)
| 1964
| Jacques Demy
| USA
| 91
| 35mm
| 1.66:1
| No
|
| 02/14/2022
| CY
| Power of the Dog
| 2021
| Jane Campion
| USA
| 126
| Digital (ARRI)
| 2.39:1
| No
|
| 02/14/2022
| CY
| Belfast
| 2021
| Kenneth Branagh
| UK
| 98
| Digital (ARRI)
| 1.85:1
| No
|
| 02/06/2022
| JW
| L'Avventura
| 1960
| Michelangelo Anotonioni
| Italy
| 145
| 35mm
| 1.85: 1
| No
|
| 02/06/2022
| JW
| Picnic at Hanging Rock
| 1975
| Peter Weir
| Australia
| 115
| 35mm
| 1.66: 1
| No
|
| 01/30/2022
| JH
| Dirty Dancing
| 1987
| Emile Ardolino
| USA
| 100
| 35mm
| 1.85:1
| No
|
| 01/30/2022
| JH
| Moulin Rouge!
| 2001
| Baz Luhrmann
| USA
| 127
| 35mm
| 2.39:1
| No
|
| 01/23/2022
| TS
| Heist
| 2001
| David Mamet
| USA
| 109
| 35mm
| 1.85:1
| No
|
| 01/23/2022
| TS
| Spartan
| 2004
| David Mamet
| USA
| 106
| 35mm
| 2.35:1
| No
|
| 01/17/2022
| SC
| The Tragedy of Macbeth
| 2021
| Joel Coen
| USA
| 105
| Arri Alexa LF, Arri Alexa Mini LF
| 4:3
| No
|
| 01/17/2022
| SC
| The Last Duel
| 2021
| Ridley Scott
| USA
| 152
| Arri Alexa LF, Arri Alexa Mini LF
| 2.39:1
| No
|
| 01/10/2022
| JB
| Deutsche Panzer (German Panzer)
| 1940
| Walter Ruttmann
| Germany
| 13
| 35mm
| 4:3
| No
|
| 01/10/2022
| JB
| Best Years of Our Lives
| 1946
| William Wyler
| USA
| 170
| 35mm
| 4:3
| No
|
| 01/02/2022
| CY
| The Long Goodbye
| 1973
| Robert Altman
| USA
| 112
| 35mm
| 2.39:1
| No
|
| 01/02/2022
| CY
| Days of Heaven
| 1978
| Terrance Malick
| USA
| 94
| 35mm
| 1.85:1
| No
|
